Well-known as a Western-style watercolorist, Aida Naohiko here adopts Japanese conventions and a vertical East-Asian format to depict a series of twelve charming, delicate, and atmospheric landscape subjects, each of...
Well-known as a Western-style watercolorist, Aida Naohiko here adopts Japanese conventions and a vertical East-Asian format to depict a series of twelve charming, delicate, and atmospheric landscape subjects, each of them related to a particular month of the year and labeled with a cartouche in the form of two overlapping squares of Japanese paper. Some paintings in the series recall the work of painters in the neo-Rinpa style pioneered by Kyoto-based artist and art director Kamisaka Sekka (1866–1942).
Born in Aizu-Wakamatsu, some 200 miles north of Tokyo, Aida Naohiko (known early in his career as Torahiko 寅彦) exhibited regularly at the Bunten official national salon and its successors from 1909 until 1943, eventually reaching mukansa status (free from the requirement to submit his work for selection) and serving as a jury member. He was a member or founder-member of several leading associations devoted to watercolors or Western-style painting, including the Nihon Suisaigakai, the Hakujitsukai, the Hakubakai, and the Taiheiyōgakai.
The twelve scenes are as follows, from right to left: First Month: Sunrise on New Year’s Day Second Month: Mountain Home in the Snow Third Month: Plum-Blossom Village Fourth Month: Cherry Blossom in the Mountains Fifth Month: In the Willow's Shade Sixth Month: The Scent of Flowers Seventh Month: Evening Cool Eighth Month: Waterfall Deep in the Mountains Ninth Month: Rainstorm Tenth Month: Evening Moon Eleventh Month: Pasture Twelfth Month: Withered Grasses in the Mountains