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Open a larger version of the following image in a popup: Fukuda Kodojin, Pine and Chrysanthemum, 1930s
Open a larger version of the following image in a popup: Fukuda Kodojin, Pine and Chrysanthemum, 1930s
Open a larger version of the following image in a popup: Fukuda Kodojin, Pine and Chrysanthemum, 1930s
Open a larger version of the following image in a popup: Fukuda Kodojin, Pine and Chrysanthemum, 1930s
Open a larger version of the following image in a popup: Fukuda Kodojin, Pine and Chrysanthemum, 1930s
Open a larger version of the following image in a popup: Fukuda Kodojin, Pine and Chrysanthemum, 1930s
Open a larger version of the following image in a popup: Fukuda Kodojin, Pine and Chrysanthemum, 1930s
Open a larger version of the following image in a popup: Fukuda Kodojin, Pine and Chrysanthemum, 1930s
Open a larger version of the following image in a popup: Fukuda Kodojin, Pine and Chrysanthemum, 1930s
Open a larger version of the following image in a popup: Fukuda Kodojin, Pine and Chrysanthemum, 1930s
Open a larger version of the following image in a popup: Fukuda Kodojin, Pine and Chrysanthemum, 1930s
Open a larger version of the following image in a popup: Fukuda Kodojin, Pine and Chrysanthemum, 1930s
Open a larger version of the following image in a popup: Fukuda Kodojin, Pine and Chrysanthemum, 1930s
Open a larger version of the following image in a popup: Fukuda Kodojin, Pine and Chrysanthemum, 1930s

Fukuda Kodojin

Pine and Chrysanthemum, 1930s
Hanging scroll; ink on paper
Overall size 82 x 18 in. (208 x 46 cm)
Image size 52¾ x 13¼ in. (134 x 33.5 cm)
T-5197
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Comes with the original double wooden tomobako storage boxes, the outer one in tamenuri lacquer and the inner one inscribed and signed by the artist. Fukuda Kodōjin (1865–1944) was one...
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Comes with the original double wooden tomobako storage boxes, the outer one in tamenuri lacquer and the inner one inscribed and signed by the artist.

Fukuda Kodōjin (1865–1944) was one of few scholar-artists who continued the tradition of Japanese literati painting (nanga) after 1900. His painting style is characterized by bizarrely shaped mountain forms rendered in vivid color or monochromatic ink that often include a solitary scholar enjoying the expansive beauty of nature. Not only a painter, Kodōjin was also an accomplished poet and calligrapher patronized by influential industrialists and politicians of the era.
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