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    Open a larger version of the following image in a popup: Shigaraki Jar for Tea Leaves, 16th/17th century
    Open a larger version of the following image in a popup: Shigaraki Jar for Tea Leaves, 16th/17th century
    Open a larger version of the following image in a popup: Shigaraki Jar for Tea Leaves, 16th/17th century
    Open a larger version of the following image in a popup: Shigaraki Jar for Tea Leaves, 16th/17th century
    Open a larger version of the following image in a popup: Shigaraki Jar for Tea Leaves, 16th/17th century
    Open a larger version of the following image in a popup: Shigaraki Jar for Tea Leaves, 16th/17th century
    Open a larger version of the following image in a popup: Shigaraki Jar for Tea Leaves, 16th/17th century
    Open a larger version of the following image in a popup: Shigaraki Jar for Tea Leaves, 16th/17th century
    Open a larger version of the following image in a popup: Shigaraki Jar for Tea Leaves, 16th/17th century
    Open a larger version of the following image in a popup: Shigaraki Jar for Tea Leaves, 16th/17th century
    Open a larger version of the following image in a popup: Shigaraki Jar for Tea Leaves, 16th/17th century
    Open a larger version of the following image in a popup: Shigaraki Jar for Tea Leaves, 16th/17th century
    Open a larger version of the following image in a popup: Shigaraki Jar for Tea Leaves, 16th/17th century

    Shigaraki Jar for Tea Leaves, 16th/17th century

    Stoneware with natural ash glaze
    Size 12¼ x 8¾ x 8½ in. (31 x 22 x 21.5 cm)
    T-4719

    Further images

    • (View a larger image of thumbnail 1 ) Fukami Sueharu, Enbō no kei: Sō (View of Distant Hope: Thought), 1993
    • (View a larger image of thumbnail 2 ) Fukami Sueharu, Enbō no kei: Sō (View of Distant Hope: Thought), 1993
    • (View a larger image of thumbnail 3 ) Fukami Sueharu, Enbō no kei: Sō (View of Distant Hope: Thought), 1993
    • (View a larger image of thumbnail 4 ) Fukami Sueharu, Enbō no kei: Sō (View of Distant Hope: Thought), 1993
    • (View a larger image of thumbnail 5 ) Fukami Sueharu, Enbō no kei: Sō (View of Distant Hope: Thought), 1993
    • (View a larger image of thumbnail 6 ) Fukami Sueharu, Enbō no kei: Sō (View of Distant Hope: Thought), 1993
    • (View a larger image of thumbnail 7 ) Fukami Sueharu, Enbō no kei: Sō (View of Distant Hope: Thought), 1993
    • (View a larger image of thumbnail 8 ) Fukami Sueharu, Enbō no kei: Sō (View of Distant Hope: Thought), 1993
    • (View a larger image of thumbnail 9 ) Fukami Sueharu, Enbō no kei: Sō (View of Distant Hope: Thought), 1993
    • (View a larger image of thumbnail 10 ) Fukami Sueharu, Enbō no kei: Sō (View of Distant Hope: Thought), 1993
    • (View a larger image of thumbnail 11 ) Fukami Sueharu, Enbō no kei: Sō (View of Distant Hope: Thought), 1993
    • (View a larger image of thumbnail 12 ) Fukami Sueharu, Enbō no kei: Sō (View of Distant Hope: Thought), 1993
    • (View a larger image of thumbnail 13 ) Fukami Sueharu, Enbō no kei: Sō (View of Distant Hope: Thought), 1993
    The roughly cylindrical form with waisted sides, broad shoulder, vertical mouth, rounded everted rim, and slightly depressed base, the stoneware body with many feldspathic inclusions, mostly covered in a green...
    Read more
    The roughly cylindrical form with waisted sides, broad shoulder, vertical mouth, rounded everted rim, and slightly depressed base, the stoneware body with many feldspathic inclusions, mostly covered in a green ash glaze that reaches down to the base in several places, one side with three striking parallel lines of dripping glaze, the mouth with a small kintsugi (gold lacquer repair)

    Comes with a fitted paulownia-wood storage box, the lid inscribed: Shigaraki Katatsuki senbeitsubo Iga-kei (Shigaraki “rice-cracker” container for tea leaves in Iga style)

    It is thought that containers of this type were traditionally called senbei (rice-cracker) jars from the character of the fired clay from which they are made, with the slightly “puffed-out” appearance of baked glutinous rice. The rich glaze, formed from flying ash that fell on this classic tea-ceremony piece during the long firing process, has given it an excellent keshiki (surface “landscape”) that admirably complements its elegant form.
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